The Photographic Lens – Blow Up

Tags

Blow Up, Julio Cortázar, literature, photography

I think the narrative point of view in Julio Cortazar’s Blowup is quite interesting because it shifts between the first person narrator and the narrator also talking about himself from a third person point of view, Michel. It makes it seem as if there are more than four characters in the short story. This shift from perspective is apropos to the title because Michel is able to blow-up and zoom-in and out of reality as he does with the camera lens. On some occasions he looks at himself as he does the photograph–from a removed and zoomed-out view–and at times he zooms deeply in to reality where he believes the inanimate blown-up photograph has also taken life. There are multiple narrative layers going on in this short story; from the reader to the narrator to the photograph to what lies behind it and it mimics the action of one zooming in on a particular object as Michel does with his photographic lens.

-Lissa Morales

“Blow-Up” Three Ways

Tags

fiction, Julio Cortázar, literature, media theory, photography, subjectivity

The significance of Julio Cortázar’s title of his short story “Blow-Up” sparked a variety of possible meanings while I was reading the text. Although the text mentions a few variations of the word “blow” (“blowing” on 118, 119 and “blown” on 119), the title’s form of the word “blow” appears in a simile: “The kid had ducked his head like boxers do when they’ve done all they can and are waiting for the final blow to fall” (128). The “final blow” takes the form of a photograph, a depiction that traps the kid’s stance and expression in a representation of frozen time. “Blow-Up” also refers to the narrator’s blown up version of that particular photograph, although he refers to the magnified copy as an “enlargement” (126). The title also corresponds to the overwhelming burgeoning of one of the photo’s figures: the clown-man reflected in the kid’s eyes. The narrator imagines the man’s image as expanding until he “blotted out the island” (131).

Cortázar allows these various connections to the term “blow-up” to emphasize the outbreak of possible interpretations from a single source. The term indicates movement, but the results of the action “blow” can produce many outcomes, such as stagnancy after the final blow of a fight, or adoration or helplessness as shown through the narrator’s photo enlargement.